Falling Leaf Returns to its Roots / 落葉歸根

HD video
2014
Edition of 5 + 2 AP

 

Falling Leaf Returns to Its Roots 落葉歸根 is a Chinese analogy of life adapted to the become—questionably—Australian. A response to Max Dupain’s Sunbaker (1937), the artist questions the enduring and absurd process of becoming through the lens of migration. The Chinese analogy signifies the ecology of life and the circulation of knowledge, relationships and belonging. Often used to describe a person who leaves home to experience life, who will always return by the end of their journey, in order to fulfil the circle of life, through death or reconnections with their family, their heritage and their roots. Through this process of returning, it is essential for one to let go of personal ventures in order to fulfil a collective, greater goal, one that is not only bounded by its cultural context, but the ecology of life, of nature, to belong. Applying this analogy to the shifting grounds of Australia conjures a conflicting sense of un-belonging, where its history of dispossession continues to be the counterpoint to the concept of a, singular, Australian identity.

This project embraces such analogy by weaving in my personal experience with the questions of Australian identity. By comparing myself to an iconic Australian image, I am claiming that the idea of citizenship or belonging is although realised through acceptance, it can also take a fluid, progressive, unexpected turn and foster into something completely different, hybrid and continuous. In this performative still video, I re-enacted the iconic Sunbaker image as the sun subtly shifted and the shadows changed. As the video loops, it is through the repetition that (my) identity is enforced (or questioned). It unsettlingly lingers in the form of a video portrait. Never stable, Stuart Hall suggests that identity is not about being but becoming.[1] It is through the process of becoming that an identity is formed, and is continuously forming. Given that the notion of identity is both retrospective and contemporary, this project is an attempt to reference the past while reinterpreting the present through the reinvention of an iconic Australian identity.

Both personal and political, not only does this project aim to satisfy my personal desire to transiently belong, but also to explore the impacts of the constant transformation and mobilisation of knowledge, philosophy and tradition on this land of immigration. How this land is divided in many ‘us and them’, which in the end, these divides are driven by the never-ending quest to belong. We are the falling leaves, with nowhere to return to. In search for our roots, this project suggests that perhaps, transformation and reinvention is the only way for us, them and everyone to belong. 

Such is the circle of life.


[1] Stuart Hall,Questions of Cultural Identity (1996)


Production Credit: Scott Heinrich